badsix wrote: this is most likely going to cause more problems.
Not necessarily. The trick is to put the first coat or two on a bit thin and let them flash off, giving a seal to the edge.
s-c-3-1-3 wrote:Bad idea? What do I do?
No, the mix sounds about right. It's not set in stone - I adjust depending on temperature, colour, depth of damage etc.
s-c-3-1-3 wrote:suggestions or tricks on how to keep the paint inside the damaged area?
Practice, practice and more practice. You want to use the brush to put the paint inside the damaged area and then kind of push it towards the edge. When I dip the brush in the paint I wipe off to push the paint towards the end of the bristles so there's like a drop there but the end of the brush is flattened somewhat, not round. Then you can just touch one corner, allowing very accurate placement. You need to move fairly quickly so it doesn't start drying and skin over. Just touch the brush end to the damage. Never stroke - always just touch the brush and let the paint flow, using surface tension, into the chip/scratch.
Some people use a toothpick instead of a brush but that isn't much good for bigger scratches - for those I actually use a Paasche pen, like
this with full strength (not reduced) paint. This is excellent when you have to build up thickness and have a lot of chips or scratches to do, but can be duplicated with a brush. If you put a bit too much in around the edge and it starts lifting or wrinkling then wait until it dries and shrinks, then use a razor blade to just shave off any high spots. Carefully, it's like brain surgery. Keep building, coat by coat until the paint forms a dome slightly above the old paint surface level. Allow to dry, may take 24 hours and if it's still a bit low then put in another coat and repeat. Polish down the highs, but not too far because you'll expose the edges. The final result should be slightly domed, like a scar.